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The Men in My Life, by Vivian Gornick
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Gornick on V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth and the intimate relationship between emotional damage and great literature.
- Sales Rank: #157533 in Audible
- Published on: 2013-05-13
- Released on: 2013-05-13
- Format: Unabridged
- Original language: English
- Running time: 239 minutes
Most helpful customer reviews
13 of 14 people found the following review helpful.
A great, thought-provoking collection
By K. L. Koch
Working from the rather simple thesis that "great literature...is a record not of the achievement, but of the effort," Gornick has produced nine critical and biographical essays that dissect and at times rebuke the personal weaknesses of her twelve male subjects. In all, the book is a thought-provoking exploration of how these weaknesses informed, and were informed by, each man's struggle to become more than "the other," to come to terms with his fellow man and--more important here--with women.
Gornick has a knack for artfully distilling the psychology of entire races (or of the male species itself) into critical judgments: Jewish-American writing at its best "fashions the language anew precisely so that it can express what it feels like to be ill," emotionally, mentally, and socially; colonial-born writers like V.S. Naipaul are "sealed off" from organic society, bound to the task of "relentlessly accusing humanity of being the sum of its disabilities." Men in general are subject to the same anthropological treatment when Gornick judges them to be excessively sentimental or small-minded. For Hemingway's descendants--Raymond Carver, Richard Ford, and Andre Dubus--the sight of "men and women struggling together in dumb erotic need arouses...an astonishing capacity to respond to the desolation of ordinary lives." This response, however, is stunted by each man's refusal to see the two sexes as fighting the same existential battles. Gornick has great empathy for "the other," as she makes clear in her preface, but this empathy does not extend to writers' whose work never escapes a narrow worldview, whether it be one limited by race or by sex.
The favorite men in Gornick's life--the novelists George Gissing and H.G. Wells, essayist and anthropologist Loren Eiseley, literary critic Randall Jarrell--are praised not just for overcoming their personal weaknesses, but for groping toward an understanding of "men-and-women-together." These four are spared both the indictments and the tendency toward generalization found in the more critical essays. In these pieces--which make up the first half of the book--we are treated to fuller portraits of the writers and their flaws: Wells' devouring sexual need, Eiseley's extreme aloofness, Jarrell's obsession with aging. We learn how these flaws shaped their work and their relationships: with women, with art, with the world. Perhaps most importantly, these four men illicit a personal response from Gornick that's lacking in the rest of the book. Her enthusiasm left me itching to read Gissing's "The Odd Women" and Wells's autobiography.
"The Men in My Life" is a solid addition to Gornick's work. She clearly cares deeply about literature and believes in its ability to bridge the gaps between men and women, author and society, writer and reader. In most of these essays--especially those about men who managed to narrow these divides--her feeling is quite contagious.
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