Rabu, 23 Maret 2011

[T355.Ebook] Fee Download Elsevier's Dictionary of Medicine and Biology: in English, Greek, German, Italian and Latin, by G. Konstantinidis

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Elsevier's Dictionary of Medicine and Biology: in English, Greek, German, Italian and Latin, by G. Konstantinidis

Elsevier's Dictionary of Medicine and Biology: in English, Greek, German, Italian and Latin, by G. Konstantinidis



Elsevier's Dictionary of Medicine and Biology: in English, Greek, German, Italian and Latin, by G. Konstantinidis

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Elsevier's Dictionary of Medicine and Biology: in English, Greek, German, Italian and Latin, by G. Konstantinidis

Dictionaries are didactic books used as consultation instruments for self-teaching. They are composed by an ordered set of linguistic units which reflects a double structure, the macrostructure which correspond to the word list and the microstructure that refers to the contents of each lemma. The great value of dictionaries nests in the fact that they establish a standard nomenclature and prevent in that way the appearance of new useless synonyms.
This dictionary contains a total of about 27.500 main English entries, and over of 130.000 translations that should normally sufficiently cover all fields of life sciences. The basic criteria used to accept a word a part of the dictionary during the development period in order of importance were usage, up-to-dateness, specificity, simplicity and conceptual relationships. The dictionary meets the standards of higher education and covers all main fields of life sciences by setting its primary focus on the vastly developing fields of cell biology, biochemistry, molecular biology, immunology, developmental biology, microbiology, genetics and also the fields of human anatomy, histology, pathology, physiology, zoology and botany.
The fields of ecology, paleontology, systematics, evolution, biostatistics, plant physiology, plant anatomy, plant histology, biometry and lab techniques have been sufficiently covered but in a more general manner. The latest Latin international anatomical terminology "Terminologia Anatomica" or "TA" has been fully incorporated and all anatomical entries have been given their international Latin TA synonym. This dictionary will be a valuable and helpful tool for all scientists, teachers, students and generally all those that work within the fields of life sciences.

  • Sales Rank: #3839970 in eBooks
  • Published on: 2005-08-18
  • Released on: 2005-08-18
  • Format: Kindle eBook

Review
"...a timely and worth first edition, with the promise of more to come."
-Paula Younger in REFERENCE REVIEWS, vol.20, n.6, 2006

Most helpful customer reviews

4 of 4 people found the following review helpful.
Excellent choice - Certainly more than a reference work
By S. Tsiantoulas
This book is more than a reference book.
It is expensive but also one of its kind! Well organized, extensively covering all claimed scientific fields and has such a vast number of synonyms in each language (in English for example it presents over 22.000 cross-referenced synonyms) that could be also used as a scientific thesaurus.

The incorporation of the Greek, Italian and Latin languages in this singe volume is without doubt a great accomplishment since all the previous languages are source languages of scientific terminology of the fields of life sciences.
Although most scientific dictionaries lack grammatical information, this book presents a clear brief info that is very helpful for all those trying to compile scientific texts in a foreign language.

Closing this review it would be a mistake to overlook that in its 2590 pages one can find the modern translation of almost any term -from- and -to- any language between English Greek German Italian and Latin.

Recommendation is guaranteed since it is already trusted by major libraries worldwide:

US National Library of Medicine
US Library of Congress
Harvard University Library
Cambridge University Library
Yale University Library
Johns Hopkins University Library
MIT (Massachusetts Institute of Technology) Library
Oxford University Library
Berkeley University of California Library
Los Angeles University of California Library
EMBL Heidelberg Germany Library
German National Library of Medicine
Chicago Public Library
Central Library of Zurich
McGill University Library
Irvine University of California Library
San Francisco University of California Library
Santa Barbara University of California Library
North Carolina State University Library
University of Toronto Library
University of Texas MD.Anderson Cancer Center Library
Pennsylvania State University Library
Kansas State University Library
Davis University of California Library
University of Cincinnati Library
Indiana University Library
Cornell University Library
Columbia University of NY Library
University of Saskatchewan Library
University of Chicago Library
University of Alberta Library
University of Wisconsin-Madison Library
University of Florida Library
University of Connecticut Library
University of Southern California Library
University of Kentucky Library
University of Muenster Library
University of North Carolina at Chapel Hill Library
University of North Texas Health Science Center
Universite Laval Library
Universitat Pompeu Fabra Library
Universite de Montreal Library
Georgia Institute of Technology Library
Stadt-Universitatsbibliothek Bern
Universitatsbibliothek Leipzig
Universitatsbibliothek Basel
Universitatsbibliothek Stuttgart
Universitatsbibliothek Wien
University of Sydney Library
ETH-Bibliothek Zurich
National University of Singapore Library
Lithuanian National Library
Chinese Peking University Library
Japanese Osaka Medical College Library
Japanese National Institute of Informatics Library
Japanese AICHI University Library

If I could recommend other dictionaries then those would be: (Elsevier's) Dorland's illustrated medical dictionary and (Lippincott Williams and Wilkins) Stedman's Medical dictionary.

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Sabtu, 19 Maret 2011

[Y162.Ebook] Ebook Beauty's Punishment: A Novel (Sleeping Beauty Trilogy), by A. N. Roquelaure, Anne Rice

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Beauty's Punishment: A Novel (Sleeping Beauty Trilogy), by A. N. Roquelaure, Anne Rice

Beauty's Punishment: A Novel (Sleeping Beauty Trilogy), by A. N. Roquelaure, Anne Rice



Beauty's Punishment: A Novel (Sleeping Beauty Trilogy), by A. N. Roquelaure, Anne Rice

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Beauty's Punishment: A Novel (Sleeping Beauty Trilogy), by A. N. Roquelaure, Anne Rice

The delicious and erotically charged sequel to The Claiming of Sleeping Beauty, from the author of�Beauty's Kingdom.�

This sequel to The Claiming of Sleeping Beauty, the first of Anne Rice's (writing as A.N. Roquelaure) elegantly written volumes of erotica, continues her explicit, teasing exploration of the psychology of human desire. Now Beauty, having indulged in a secret and forbidden infatuation with the rebellious slave Prince Tristan, is sent away from the Satyricon-like world of the Castle. Sold at auction, she will soon experience the tantalizing punishments of "the village," as her education in love, cruelty, dominance, submission, and tenderness is turned over to the brazenly handsome Captain of the Guard. And once again Rice's fabulous tale of pleasure and pain dares to explore the most primal and well-hidden desires of the human heart. Preceding the visceral eroticism of E.L. James’ Fifty Shades of Grey and Sylvia Day's Bared to You, and even more haunting than her own novel Belinda, this second installment in the Sleeping Beauty series is not to be missed.

  • Sales Rank: #317967 in Books
  • Brand: Penguin Group (usa) Inc.
  • Published on: 1999-05-01
  • Released on: 1999-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.97" h x .65" w x 4.60" l, .36 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Enhanced sexual experience

About the Author
Anne Rice was born in New Orleans in 1941. She is the author of many bestselling novels, including the widely successful Vampire Chronicles. Her first novel, Interview with the Vampire, was made into a film in 1994 starring Tom Cruise and Brad Pitt. Her other books include the Mayfair Witches series, the novels The Mummy or Ramses the Damned, Violin, Angel Time, the Sleeping Beauty trilogy, and most recently, The Wolf Gift. Anne lives and works in Southern California.

Excerpt. � Reprinted by permission. All rights reserved.

Table of Contents

Title Page

Copyright Page


PREFACE

THE PUNISHED

BEAUTY AND TRISTAN

THE AUCTION IN THE MARKETPLACE

BEAUTY ON THE BLOCK

LESSONS FROM MISTRESS LOCKLEY

PRINCE ROGER’S STRANGE LITTLE STORY

THE CAPTAIN OF THE GUARD

THE PLACE OF PUBLIC PUNISHMENT

TRISTAN IN THE HOUSE OF NICOLAS, THE QUEEN’S CHRONICLER

A SPLENDID EQUIPAGE

THE FARM AND THE STABLE

SOLDIERS’ NIGHT AT THE INN

GRAND ENTERTAINMENT

NICOLAS’S BEDCHAMBER

TRISTAN’S SOUL FURTHER REVEALED

MISTRESS LOCKLEY’S DISCIPLINE

CONVERSATION WITH PRINCE RICHARD

PUBLIC TENTS

MISTRESS LOCKLEY’S AFFECTIONS

SECRETS IN THE INNER CHAMBER

UNDER THE STARS

REVELATIONS AND MYSTERIES

PENITENTIAL PROCESSION

TRISTAN AND BEAUTY

DISASTER

EXOTIC MERCHANDISE

ANOTHER TURN OF THE WHEEL

VOLUPTUOUS CAPTIVITY


AN EXCITING PREVIEW OF Beauty's Kingdom

THE EROTIC NOVELS OF ANNE RICE WRITING AS A. N. ROQUELAURE

The Claiming of Sleeping Beauty

Beauty’s Punishment

Beauty’s Release


Since 1983, A. N. Roquelaure has envisioned (for the uninhibited reader) a hypnotic and seductive adult fairy tale in the Sleeping Beauty novels. Now, the author of this exquisite erotic trilogy reveals her true identity—beckoning the reader into a sensuous world of forbidden dreams and dark-edged desires ... a world in which traditional ideas of submission and dominance and gender preference are thrown to the winds ... a world made irresistibly inviting by the adventurous spirit and imagination of the unrivaled Anne Rice.

an
erotic novel of
discipline,
love and surrender,
for the enjoyment
of men
and women

PLUME
Published by the Penguin Group
Penguin Putnam Inc., 375 Hudson Street, New York, New York 10014, U.S.A.
Penguin Books Ltd, 27 Wrights Lane, London W8 5TZ, England
Penguin Books Australia Ltd, Ringwood, Victoria, Australia
Penguin Books Canada Ltd, 10 Alcorn Avenue,
Toronto, Ontario, Canada M4V 3B2
Penguin Books (N.Z.) Ltd, 182-190 Wairau Road,
Auckland 10, New Zealand


Penguin Books Ltd, Registered Offices: Harmondsworth, Middlesex, England

Published by Plume, a member of Penguin Putnam Inc.
Previously published in a Dutton edition.


First Plume Printing, November, 1990
First Plume Printing, This Edition, May, 1999




Copyright � A. N. Roquelaure, 1984

All rights reserved

REGISTERED TRADEMARK—MARCA REGISTRADA



Roquelaure, A. N.
Beauty’s punishment.
Sequel to: The claiming of Sleeping Beauty
I. Title.
PS3568.0696B’.54 83-20587

ISBN: 9781440672750


Cover design: Zoe Norvell




Without limiting the rights under copyright reserved above, no part of this
publication may be reproduced, stored in or introduced into a retrieval system,
or transmitted, in any form, or by any means (electronic, mechanical,
photocopying, recording, or otherwise), without the prior written permission of both
the copyright owner and the above publisher of this book.


PUBLISHER’S NOTE
This is a work of fiction. Names, characters; places, and incidents either are the
product of the author’s imagination or are used fictitiously, and any resemblance
to actual persons, living or dead, events, or locales is entirely coincidental.

I’ve always loved the fairy tale Sleeping Beauty, and found something erotic at its core. The Prince awakens Beauty with a kiss. And I thought, all right, what if he brought a kind of liberation, an induction into a world of bizarre yet irresistible delights? It has to be remembered that within the frame of a sadomasochistic fantasy like the Beauty trilogy, the readers are invited to identify with and enjoy the predicament of the slaves. The books aren’t about literal cruelty; they’re about surrender, the fun of imagining you have no choice but to enjoy sex. Beauty’s slavery is delicious, sensuous, abandoned, and ultimately liberating. This is all part of the framework. And it seemed to work exquisitely with the old fairy tale. And of course the fairy tale removes us from everyday life; it removes us from the intrusion of garish headlines, literal violence, and all the ugliness of crime. We go into a gilded dream here, luscious and engulfing, in which we’re free to imagine all sorts of things—a fairy-tale world indeed.

As Anne Rice, I’m known for certain kinds of novels; the Roquelaure books retain the name Roquelaure (even with my name added) to indicate that this is something “different.” If Anne Rice is one kind of savory dish, well this is another entirely. And some might find it far too spicy for their taste. I don’t like the idea of confusing or disappointing readers, so the pen name helps with that. Of course, there are many people who have read all my work, including the Roquelaure novels, and they see me as a multifaceted writer. But the Roquelaure material is erotica, without reservation, and it needs that pen name on the label, so to speak. The pen name says: Anne Rice is doing something very different here.

I felt I needed the anonymity of the pen name to write freely, to pursue an authentic erotica without being inhibited or self-conscious. And it worked wonders to imagine myself “cloaked” by the name Roquelaure, which is a kind of French cloak—named after the Frenchman who popularized it. My father was still living then and I didn’t want him to know about the books either. In fact, there were lots of friends and relatives whom I didn’t want to worry about as I developed the writing. There was quite a bit of exposure involved in writing such graphic sexual fantasies. It was frightening now and then, and it was thrilling. Eventually, I told my father about the books, asking him not to read them, and I did put my name on them. I adjusted completely to people knowing I’d written them. But only after I’d finished with the trilogy—as I recall.

A pen name enables you not only to cloak what you are doing from friends and family; it gives you a new freedom to do something you would not do as yourself. I have thought of writing some new erotica, and I must confess I imagined using a new pen name for it. I don’t know whether I’ll pursue it, but I do find the freedom of the pen name attractive.

When the Sleeping Beauty Trilogy books were first published, they were underground books. They had the backing of a major mainstream publisher, yes, but the publication, though dignified and beautiful, was relatively quiet. But different readers embraced the books almost at once. They clearly appealed to young people, and older married people, to gays and straights. And they’ve sold steadily ever since they first appeared. Women come up to me at signings with babies in strollers and giggle and laugh and say, “We love your dirty books.” People of all ages, actually, present the books to be signed.

Why do I think these particular books have been popular? Two reasons. First, I think it is because they involve no harsh, garish violence at all. They involve game playing, really. No one is burned or cut or hurt. Certainly no one is killed. Indeed the whole sadomasochistic predicament is presented as a glorified game played out in luxurious rooms and with very attractive people, and involving very attractive slaves. There are endless motifs offered for dominance and submission, for surrender and love. It’s like a theme park of dominance and submission, a place to go to enjoy the fantasy of being overpowered by a beautiful man or woman and delightfully compelled to surrender and feel keening pleasure, without the slightest serious harm. I think it’s authentic to the way many who share this kind of fantasy really feel. I think what makes it work for people is the combination of the very graphic and unsparing sexual details mixed with the elegant fairy-tale world.

Unfortunately a lot of hackwork pornography is written by those who don’t share the fantasy, and they slip into hideous violence and ugliness, thinking the market wants all that, when the market never really did. Second, this is shamelessly erotic. It pulls no punches at being what it is. It’s excessive and it is erotica. Before these books, a lot of women read what were called “women’s romances” where they had to mark the few “hot pages” in the book. I said, well, look, try this. Maybe this is what you really want, and you don’t have to mark the hot pages because every page is hot. Every page is about sexual fulfillment. Every page is meant to give you pleasure. There are no boring parts. Yet it’s very “romantic.” And well, I think this worked.

Lots of people enjoy imagining themselves passive, in the hands of a beautiful lover, male or female, who will force them to enjoy themselves. It’s a common idea, and it cuts across gender and class. Men love these sorts of fantasies as much as women. And these books offer all kinds of gender combinations; women dominating men and women; men dominating men and women. The books offer ornate and seductive variations on the themes; and all of it is interwoven in stories with real characters, and again, the emphasis is on a lush, sensuous realm in which all this happens. There are very detailed descriptions of physical interaction and response; but the fairy-tale spell is sustained.

I also went all the way with exploring the mind-set of sadomasochism as I saw it, letting the fantasy characters talk in depth about what they felt and what they enjoyed and what thrilled them as they were humiliated and overwhelmed. I suspect that for some readers, this kind of deep exploration of the mentality of the participants was entirely new.

Is this why they appealed to so many, because people want this very combination of elements? Perhaps.

I certainly never found the combination of elements I wanted in anyone else’s erotica. So I offered what I could not find; a light touch; elegance; preciseness; a dreamlike kingdom; a dream in which people explore their need to be passive and to “pretend” that someone gorgeous and irresistible is “making” them do it.

Psychiatrists have written volumes on the nature of the sadomasochistic fantasy, but when I wrote the trilogy I didn’t know of any fiction that really enabled you to slide in it and “play” the way I wanted to play. So I wrote the books I couldn’t find.

I never thought a book as eccentric as Interview with the Vampire would have mass appeal. I only knew that I wanted to “be with the vampire” in the story, tell it from his point of view. I wanted to be inside his head and heart and reveal his voice and his pain. Now as it turned out, other people were exploring this same kind of thing—the backstory of the villain, the monster, or the comic book hero and heroine who’d always been described from a distance or in brittle form. People wanted to explore all kinds of super characters and hear their intimate musings. And I began to see more and more of this—movies made in which Superman could bear his soul, and Lois Lane could really talk about what it meant to love him. The demand for such romantic fantasies grew and grew. But did I have any idea that would happen? No. I wrote what I wanted to read. Well, the same thing is true with the Beauty books.

I didn’t know whether that many other people had the fantasies. After all, we didn’t talk much about them. Only a small elite knew about the mysterious Story of O. But I knew I had these fantasies, and I wanted to share them, and I felt an overwhelming desire to do them “right.” I didn’t want to compromise, water them down, or shrink from the most humiliating detail. I wanted to really delve into intense sensuous pleasure but put a gilded frame around a safe place for the reader from which he or she could go and come with ease.

Of course these books have from time to time been banned. I never expected a library to stock the Beauty trilogy. I know that many libraries respond to community standards, and I just never thought about it much at all. I did notice and I couldn’t help notice that the books sold well and steadily, and that at every signing I gave, people brought them to be signed. Recently, I’ve signed as many copies of the Beauty books as I have of any other book I’ve written. So I don’t worry too much about being banned. I’ve always shocked people. Years ago, I published a novel about the eighteenth-century castrati opera singers, titled Cry to Heaven. Someone brought a copy back to a bookstore in Stockton, California, and demanded his money back. “This is pornography,” he said. There are always some people objecting to what I do. I’m grateful the Beauty books have been embraced and sustained over the years.

As a feminist, I’m very much supportive of equal rights for women in all walks of life. And that includes for me the right of every woman to write out her sexual fantasies and to read books filled with sexual fantasies that she enjoys. Men have always enjoyed all kinds of pornography. How can it be wrong for women to have the same right? We’re sexual beings! And fantasy is where we can do the things we can’t do in ordinary life. A woman has a right to imagine herself carried away by a handsome prince, and to choose for herself as she writes, the color of his hair and eyes, and imagine his silky voice. She has a right to make him as tall as she wants and as strong as he wants. Why not? Men have always allowed themselves such fantasies.

Famous madams have told us for decades that powerful men love to be dominated and come to them for role playing that allows the male client to be passive. In fact, some madams have said that men who enjoy playing the passive role are often men who are very powerful in real life. Well, women today are more powerful than ever. They’re Supreme Court judges, senators, doctors, lawyers, entrepreneurs, executives, soldiers, cops. They can excel in all walks of life. And why shouldn’t they be able to go home from the courtroom, the university, or the office and kick back and “pretend” they’re being swept away to the Queen’s sadomasochistic kingdom where all the fairy-tale court will watch them being ravaged by the handsome Prince?

The literary world today is wide open for all kinds of creative endeavors. We are in a new golden age in which fantasy, science fiction, speculative fiction, historical drama, horror, gothic, and supernatural romance are all mainstream. Well, the same holds true now obviously for erotica. People in general are “out of the closet” as enjoyers of erotic books. The novel 50 Shades of Grey has proved this. And I am discovering that the Beauty books in spite of all their playful excess—are for the first time going mainstream.

But I wouldn’t continue Beauty’s story. I felt that ended just the way I wanted. But I might write some more. I don’t think I did all I could do in these books, within the fantasy itself, in admitting how much the slaves enjoyed it—how they loved it. I’d deepen that aspect, and still keep the tension, if I did them today.

People are much more comfortable today admitting and talking about what they enjoy in fiction and film. Much more. People are “out of the closet” about sexuality, period. The whole world knows women are sensual human beings as well as men. It’s no secret anymore that women want to read sexy fiction just as men do, and there’s a new frankness about the varieties of fantasies one might enjoy. So many clich�s have been broken and abandoned. And this is a wonderful thing.

—ANNE RICE

JUNE 2012

THE STORY THUS FAR

AFTER HER century-long slumber, the Sleeping Beauty opened her eyes at the kiss of the Prince, to find her garments stripped away and her heart as well as her body under the rule of her deliverer. At once, Beauty was claimed as the Prince’s naked pleasure slave to be taken to his Kingdom.

With the grateful consent of her parents, and dazed with desire for the Prince, Beauty was then brought to the Court of Queen Eleanor, the Prince’s mother, to serve as one of hundreds of naked Princes and Princesses, all playthings of the Court until such time as they should be rewarded and sent home to their Kingdoms.

Dazzled by the rigors of the Training Hall, the Hall of Punishments, the ordeal of the Bridle Path, and her own mounting passion to please, Beauty remained the undisputed favorite of the Prince and the delight of her sometime Mistress, the lovely young Lady Juliana.

Yet she could not ignore her secret and forbidden infatuation with the Queen’s exquisite slave, Prince Alexi, and finally the disobedient slave, Prince Tristan.

After glimpsing Prince Tristan among the disgraced of the castle, Beauty, in a moment of seemingly inexplicable rebellion, brings upon herself the very same punishment destined for Tristan: to be sent away from the voluptuous Court to the degradation of harsh labor in the nearby village.

As our story continues, Beauty has just been placed in the cart with Prince Tristan and the other disgraced slaves to be taken down the long road to the auction block in the village marketplace.

THE PUNISHED

THE MORNING star was just fading in the violet sky as the huge wooden cart, crowded with naked slaves, moved slowly over the castle draw-bridge. The white draft horses plodded steadily towards the winding road, and the soldiers drove their mounts close to the high wooden wheels, the better to catch with their thudding straps the naked legs and buttocks of the wailing slave Princes and Princesses.

Frantically, the group huddled together on the rough boards, their hands bound to the backs of their necks, their mouths gagged and stretched by little leather bits, plump breasts and reddened buttocks shivering.

Some, in desperation, glanced back at the high towers of the darkened castle. But no one was awake, it seemed, to hear their cries. And a thousand obedient slaves slept within, on the silken beds of the Slaves’ Hall or in their Masters’ and Mistresses’ sumptuous chambers, unconcerned for those incorrigible ones who were borne away now in the wobbling, high-railed cart, towards the village auction.

The Commander of the Patrol smiled to himself as he saw Princess Beauty, the Crown Prince’s dearest slave, press towards the tall, heavily muscled figure of Prince Tristan. She had been the last to be loaded into the cart, and what a lovely slave she was, he mused, her long, straight, golden hair hanging loose down her back, her little mouth straining to kiss Tristan in spite of the leather bit that gagged her. And how could the disobedient Tristan, with his hands bound to his neck as securely as those of any other punished slave, solace her now, the Commander wondered?

He debated with himself: Should he stop this illicit intimacy? It would be simple enough to pull Beauty out of the group and spread her legs as he bent her over the railing of the cart, spanking with his belt her plump disobedient little sex for its impudence. Maybe Tristan and Beauty, both, should be set down on the road and whipped behind the cart to teach them a good lesson.

But in truth the Commander felt just a little bit sorry for the condemned slaves, spoilt as they were, even the willful Beauty and Tristan. By noon they would all have been sold from the block, and during the long summer months of village service they would learn plenty.

The Commander rode alongside the cart now, catching another succulent little Princess with his belt, punishing the rosy pubic lips that peeped through a nest of glossy black curls, and he plied the strap all the harder when a long-limbed Prince sought gallantly to shield her.

Nobility even in adversity, the Commander laughed to himself, and gave the Prince exactly what he deserved with the strap, all the more amused when he glimpsed the Prince’s hard and writhing organ.

Well-trained, the lot, he had to admit, the lovely Princesses with their nipples erect and faces flushed, the Princes trying to conceal their swelling cocks. And as sorry as the Commander felt for them, he couldn’t help but think of the glee of the villagers.

All year the villagers saved their money for this day, when only a few coins would purchase, for the whole summer long, a pampered slave who had been chosen for the Court, trained and groomed for the Court, and must now obey the lowliest kitchen maid or stable boy who bid high enough at the auction.

And what an enticing group they were this time, their rounded limbs still fragrant with costly perfume, pubic hair still combed and oiled, as if they went to be presented to the Queen herself and not a thousand leering and eager villagers. Cobblers, Innkeepers, merchants awaited them, determined to exact hard labor for their money as well as pretty looks and abject humility.

The cart jostled the crying slaves, tumbled them together. The distant castle was now no more than a great gray shadow against the lightening sky, its vast pleasure gardens concealed by the high walls that surrounded it.

And the Commander smiled as he rode nearer to the thicket of lovely shaped calves and high-arched feet in the cart, seeing a half dozen splendid unfortunates pressed to the very front rail with no hope at all of escaping the soldiers’ straps as the others crowded against them. All they could do was squirm under the playful assault, baring hips and backsides and bellies again to the sting of the belts as they bowed their tear-stained faces.

It was a luscious sight indeed, rendered all the more interesting, perhaps, by the fact that they didn’t really know what lay in store for them. No matter how much Court slaves were warned about the village, they were never really prepared for the shocks that awaited them. If they had really known, they would never, never have risked the Queen’s displeasure.

And the Commander couldn’t help but think ahead to the end of summer when, thoroughly chastened, these same wailing and struggling young men and women would be brought back with heads bowed and tongues silent in utter submission. What a privilege it would be then to whip them one by one to press their lips to the Queen’s slipper!

So let them wail now, the Commander mused. Let them twist and turn as the sun rose over the rolling green hills and the cart lumbered ever faster down the long road to the village. And let the pretty little Beauty and the majestic young Tristan cleave to each other in the very middle of the press. They would soon learn what they had brought upon themselves.

He might even stay for the auction this time, the Commander thought, or at least just long enough to see Beauty and Tristan separated and hoisted one after the other to that block as they deserved, and sold off to their new owners.

BEAUTY AND TRISTAN

BUT, BEAUTY, why did you do it?” Prince Tristan whispered. “Why did you disobey deliberately? Did you want to be sent to the village?”

All around them in the rolling cart the Princes and Princesses whimpered and bawled hopelessly.

But Tristan had worked loose the cruel little leather bit that had gagged him, and let it drop to the floor. And Beauty at once did the same, freeing herself of the mean device with the aid of her tongue and spitting it away from her with delicious defiance.

After all, they were condemned slaves, were they not, so what did it matter? They had been given by their parents as naked tributes to the Queen, told to obey during their years of service. But they had failed. They were now condemned to hard labor and cruel use by the common people.

“Why, Beauty?” Tristan pressed. But no sooner did he ask the question again than he covered Beauty’s open mouth with his own so that Beauty could only receive the kiss, standing on tiptoe, Tristan’s organ lifting her moist sex which hungered for him desperately. If only their hands were not bound, if only she could embrace him!

Suddenly Beauty’s feet no longer touched the floor of the cart, and she tumbled forward against Tristan’s chest, riding him, the throbbing inside her so violent that it obliterated the cries and loud wallops of the mounted soldiers’ leather straps, and Beauty felt her breath sucked up and out of her.

For eternity she seemed to float, unanchored to the real world of the immense creaking wooden cart with its high wheels, the taunting guards, the paling sky arching high over the soft dark hills and the dim prospect of the village lying under a blue mist far below them. There was no rising sun, no clop of the horses hooves, no soft limbs of other struggling slaves mashed against her sore buttocks. There was only this organ splitting her, lifting her, and then driving her remorselessly to a silent yet deafening explosion of pleasure. Her back arched, her legs out straight, her nipples throbbing against Tristan’s warm flesh, her mouth filled with Tristan’s tongue at the same instant.

And dimly through the ecstasy, she felt Tristan’s hips go into their final irresistible rhythm. She could not bear any more, yet the pleasure was fragmented, multiplied, washing through her over and over. In some realm beyond thought, she felt she was not human. The pleasure dissolved the humanity she had known. And she was not Princess Beauty, brought as a slave to serve in the Prince’s castle. Yet most certainly she was, because this excruciating pleasure had been learned there.

She knew only the soft wet pulse of her sex and the organ lifting her and holding her. And Tristan’s kisses growing more tender, more sweet, more lingering. A weeping slave pressed against her back, hot flesh against her own, and another warm body crushed against her right side, a great sweep of silky hair brushing her naked shoulder.

“But why, Beauty?” Tristan whispered again, his lips still touching hers. “You must have done it deliberately, run from the Crown Prince. You were too admired, too accomplished.” His deep almost-violet-blue eyes were thoughtful, meditative, reluctant to reveal him completely.

His face was a little larger than that of most men, the bones strong, perfectly symmetrical, yet the features were almost delicate, and the voice was low and more commanding than the voices of those who had been Beauty’s Masters. But there was nothing but intimacy in the voice, and that, and Tristan’s long eyelashes, gold in the light of the sun, gave him a touch of enchantment. He spoke to Beauty as though they had been slave companions forever.

“I don’t know why I did it,” Beauty whispered in answer. “I can’t explain, but yes, it must have been deliberate.” She kissed his chest, quickly finding the nipples and kissing them both and then sucking them hard one after the other so that she felt his organ thump against her again, though he begged her softly for mercy.

Of course, the punishments of the castle had been voluptuous; it had been exciting to be the playthings of a rich Court, to be the object of relentless attention. Yes, it had been infatuating and confusing, the exquisitely tooled leather paddles and straps and the welts they caused, the exacting discipline that had so often left her crying and breathless. And the warm perfumed baths afterwards, the massages with fragrant oils, the hours of half-sleep in which she dared not contemplate the tasks and trials that awaited her.

Yes, it had been heady and seductive and even terrifying.

And surely she had loved the tall, black-haired Crown Prince with his mysterious unnamed dissatisfactions, and the lovely sweet Lady Juliana with her pretty blond braids, both of whom had been such talented tormentors.

So why had Beauty thrown it all away? Why, when she had seen Tristan in the stockade with its crowd of disobedient Princes and Princesses, all condemned to be auctioned in the village, had she deliberately disobeyed in order to be sent to the village with them?

She could still remember Lady Juliana’s brief description of the fate awaiting them:

“It is wretched service. The auction itself takes place as soon as they arrive and you can well suppose that even the beggars and the common louts about town are there to witness it. Why, the whole village declares a holiday.”

And then that strange remark from Beauty’s Master, the Crown Prince, who never dreamed at that moment that Beauty would soon disgrace herself: “Ah, but for all its roughness and cruelty,” he had said, “it is sublime punishment.”

Was it those words that had undone her?

Did she long to be hurled downward, away from the high Court of ornate and clever rituals imposed upon her, into some wilderness of disregard where the humiliations and spanking blows would come just as hard and just as fast but with a greater, more savage abandon?

Of course, there would be the same limits. Not even in the village could a slave’s flesh be broken; never could a slave be burned or truly harmed. No, her punishments would all enhance. And she knew by now just how much could be accomplished with the innocent-looking black leather strap and deceptively decorated leather paddle.

But in the village she would be no Princess. Tristan would be no Prince. And the crude men and women who worked them and punished them would know that with every gratuitous blow they were doing the Queen’s bidding.

Suddenly Beauty couldn’t think. Yes, it had been deliberate, but had she made some dreadful error?

“And you, Tristan,” she said suddenly, trying to conceal the quavering of her voice. “Was it not deliberate with you, too? Didn’t you deliberately provoke your Master?”

“Yes, Beauty, but there’s a long story behind it,” Tristan said. And Beauty could see the apprehension in his eyes, the dread he couldn’t admit either. “I served Lord Stefan, as you know, but what you don’t know is that a year ago in another land, as equals, Lord Stefan and I were lovers.” The large violet-blue eyes became a little more penetrable, the lips a little warmer as they smiled almost sadly.

Beauty gasped to hear this.

The sun was fully risen now, and the cart had taken a sharp turn in the road and the descent was slower over uneven terrain, the slaves pitched more roughly than ever against one another.

“You can imagine our surprise,” Tristan said, “when we discovered ourselves Master and slave at the castle, and when the Queen, seeing the blush on Lord Stefan’s face, immediately gave me over to him with the sharp instructions that he train me himself to be perfect.”

“Unbearable,” Beauty said. “To have known him before, to have walked with him, spoken with him. How could you submit?”

All her Masters and Mistresses had been strangers to her, defined perfectly in the instant she realized her helplessness and vulnerability. She had known the color and texture of their magnificent slippers and boots, the sharp tones of their voices, before she had known their names or their faces.

But Tristan gave the same mysterious smile. “O, I think it was far worse for Stefan than for me,” he whispered in her ear. “You see, we had met before at a great tournament, struggling against each other, and in every feat I’d bested him. When we hunted together, I had been the better shot and the better horseman. He had admired me and looked up to me, and I had loved him for it because I knew the extent of his pride and the love that equaled it. When we coupled, I was the leader.

“But we had to return to our Kingdoms. We had to return to the duties that awaited us. Three stolen nights of love we had, maybe more, in which he yielded as a boy might to a man. Then letters that at last became too painful to write. Then war. Silence. Stefan’s Kingdom allied with that of the Queen. And later, her armies at our gates, and this strange meeting in the Queen’s castle: I on my knees waiting to be given to a worthy Master, and Stefan, the Queen’s young kinsman, sitting silently at her right at the banquet table.” Tristan smiled again. “No, it was worse for him. I blush with shame to admit it, but my heart leapt when I saw him. And it is I who, out of spite, have triumphed by abandoning him.”

“Yes,” Beauty understood this because she knew she had done it to the Crown Prince and Lady Juliana. “But the village, weren’t you afraid?” Again there came the quavering in her voice. How far were they from the village, even as they spoke of it? “Or was it simply the only way?” she asked softly.

“I don’t know. There must have been more to it than that,” Tristan whispered, but then he stopped as though bewildered. “But if you must know,” he confessed, “I am terrified.” Yet he said it so calmly, his voice so full of quiet assurance that Beauty couldn’t believe it.

The groaning cart had made another turn. The guards had ridden ahead to hear some orders from their Commander. The slaves whispered among themselves, all too obedient and fearful still to discard the little leather bits in their mouth, yet able to consult frantically on what lay ahead as the cart rocked on slowly.

“Beauty,” Tristan said, “we’ll be separated when we reach the village, and no one knows what may happen to us. Be good, obey; it can’t ultimately—” And again he stopped, unsure. “It can’t ultimately be worse than the castle.”

And now Beauty thought she heard the barest tinge of real trepidation in his voice, but his face was almost hard when she looked up at him, only the beautiful eyes softening it just a little. She could see the slightest golden stubble of beard on his chin, and she wanted to kiss it.

“Will you watch for me after we’re separated, try to find me, if only to say a few words to me?” Beauty said. “O, just to know you are there ... but I don’t think I will be good. I don’t see why I should be good any longer. We’re bad slaves, Tristan. Why should we obey now?”

“What do you mean?” he asked. “You make me afraid for you.”

From far away, there came the faint roar of voices, the sound of a large crowd carrying sluggishly over the low hills, the dim vibration of a village fair, of hundreds talking, shouting, milling.

Beauty pressed close to Tristan’s chest. She felt a stab of excitement between her legs, her heart knocking. Tristan’s organ was hard again, but it was not inside of her, and it was an agony again that her hands were bound so she couldn’t touch it.

Her question seemed meaningless suddenly, yet she repeated it, the distant noise growing louder. “Why must we obey if we are already punished?”

Tristan too heard the distant swelling sounds. The cart was picking up speed.

“We were told at the castle that we must obey,” Beauty said, “our parents had willed it when they sent us to the Queen and the Prince as Tributes. But now we’re bad slaves...”

“Our punishment will only be worse if we disobey,” Tristan said, but there was something strange in his eyes that betrayed his voice. He sounded false, as if repeat-something he thought he should say for her good.

“We must wait and see what happens to us,” he said. “Remember, Beauty, in the end they will win over us.”

“But how, Tristan?” she asked. “You mean you condemned yourself to this, and yet you will obey?” She felt again the thrill she’d known when she left the Prince and Lady Juliana weeping behind her at the castle. “I am such a bad girl,” she thought. Yet...

“Beauty, their wishes will prevail. Remember, a willful, disobedient slave will amuse them just as much. Why struggle?” Tristan said.

“Why struggle to obey?” Beauty said.

“Do you have the strength to be terribly bad all the time?” he asked. His voice was low, urgent, his breath warm against her neck as he kissed her again. Beauty tried to shut out the sound of the crowd; it was a horrid sound, like that of a great beast coming out of its lair; she knew she was trembling.

“Beauty, I don’t know what I’ve done,” Tristan said. Anxiously he glanced in the direction of that awesome, menacing noise: shouts, cheers, the mayhem of a fair day. “Even at the castle,” he said, the violet-blue eyes fired now with something that might have been fear in a strong Prince who could not show it. “Even at the castle, I found it was easier to run when they told us to run, to kneel when they told us to kneel, and there was a triumph of sorts in doing it perfectly.”

“Then why are we here, Tristan?” she asked, standing on tiptoe to kiss his lips. “Why are we both such bad slaves?” And though she tried to sound rebellious and brave, she pressed herself against Tristan all the more desperately.

THE AUCTION IN THE MARKETPLACE

THE CART had come to a stop, and Beauty could see through the tangle of white arms and tousled hair the walls of the village below, with the gates open and a motley crowd swelling out onto the green.

But slaves were being quickly unloaded from the cart, forced with the smack of the belt to crowd together on the grass. And Beauty was immediately separated from Tristan, who was pulled roughly away from her for no apparent reason other than the whim of a guard.

The leather bits were being pulled out of the mouths of the others. “Silence!” came the loud voice of the Commander. “There is no speech for slaves in the village! Any who speak shall be gagged again more cruelly than they have ever been before!”

He rode his horse round the little herd, driving it tightly together, and gave the order that the slaves’ hands should be unbound and woe to any slave who removed his or her hands from the back of the neck.

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30 of 31 people found the following review helpful.
A very erotic fairy-tale
By Marleen
After Beauty has caused her own expulsion from the Castle at the end of "The Claiming of Sleeping Beauty" she finds herself with the irresistible prince Tristan and other naked slaves on a cart heading towards the dreaded Village. Once on the market square, Beauty, Tristan and the others are auctioned of to the highest bidder, with Tristan being purchased by Master Nicolas, the Queen's chronicler and Beauty by Mistress Lockley, the owner of an inn. It soon becomes clear to both of them that while they were used, ordered around and punished in the Queens castle, their treatment there was child's play compared to what they are about to encounter in the Village. In the castle they were the playthings of the Lords and Ladies, but here they truly are slaves. And although their masters are still not allowed to do any real harm, there are no other restrictions on the ways in which they may be used.
Tristan finds himself put to work as a human pony, complete with tail and harness when he's not being punished in a public spectacle while Beauty is handed over the handsome Captain of the Guard for his pleasure as well as that of his men.
Both slaves at first experience deep fear as well as humiliation but neither can deny the pleasure even these feelings bring them. And slowly the realisation dawns that this is the treatment they prefer. The submission they are brought to under the cruel villagers brings them deeper satisfaction then the games played in the castle ever did.
When Master Nicolas allows Tristan and Beauty to spend an unexpected night together, what should have been a heavenly experience turns into a nightmare and the start of a whole new, but not very different, experience.

It is hard to figure out what to say about this book.
A lot of people will say that they don't mind, and even like, sexual content in their books provided it is backed-up by a good story, and in general I agree with that sentiment.
That of course does raise the question; what about books in which the sexual content is the story? What standard do you judge a book by if that is the case, as it is in Beauty's Punishment?
This is a story about discovering the pleasures of sex as well as the truth about yourself. The characters discover that those things they are made to do and endure, which they know are humiliating, are also the experiences that bring them most pleasure. Everything they thought they knew about themselves, their needs and their feelings turns out to be wrong. As they discover what really brings them pleasure they have to overcome their old believes and values as well as truly surrender both to their own feelings and to those who bring those feelings to life inside them.
In many ways this book is as much a psychological examination of the characters needs and true feelings and their acknowledgment of those as it is a very explicit erotic fairy-tale.
And yes, this is very much a fairy-tale even if it is one that is aimed only at adults. It takes a familiar theme to extreme heights, on to a level that couldn't be possible in the real world. And I found that because I was constantly aware that I was reading a fairy-tale I had no problem accepting what I encountered on the page. Nothing was too extreme or too unbelievable because in a fairy-tale anything is possible and everything is acceptable.

Anne Rice is a good author who has a way with words and knows how to draw her readers into her stories, and this book was no exception. I enjoyed my visit with Beauty and was fascinated by the world created around her. It won't be long before I read the third and final part in this trilogy because I can't wait what else Mrs. Rice has in store for her characters.

0 of 0 people found the following review helpful.
Five Stars
By Just A. Mann
Amazing

0 of 0 people found the following review helpful.
Four Stars
By Donna Hubner
Great book

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Kamis, 17 Maret 2011

[G520.Ebook] Download PDF Innovations in Rural Extension: Case Studies from Bangladesh, by P Van Mele, A Salahuddin, N P Magor

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Innovations in Rural Extension: Case Studies from Bangladesh, by P Van Mele, A Salahuddin, N P Magor

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Innovations in Rural Extension: Case Studies from Bangladesh, by P Van Mele, A Salahuddin, N P Magor

During the past five years, the PETRRA (Poverty Elimination Through Rice Research Assistance) project has explored the development of innovative extension mechanisms through a learning-by-doing process with multiple service providers. Partnerships linked government, non-government and private sectors as appropriate. Topics addressed by the project include seed production and distribution systems, crop and soil fertility management, postharvest technologies, mobile pumps, aromatic rice and integrated rice-duck farming. The methods used include women-led group extension, whole family approach, participatory video, Going Public and picture songs. This book examines these approaches to extension and assesses their potential for replicability and scaling-up. It includes four thematic sections with people-centred case studies and a conclusion with practical applications of the transaction cost theory.

  • Sales Rank: #7490638 in Books
  • Brand: Brand: CABI
  • Published on: 2005-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .80" w x 9.80" l, 2.05 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

About the Author
Edited by P Van Mele, CABI Bioscience, Egham, UK; A Salahuddin, International Rice Research Institute, Bangladesh; N P Magor, International Rice Research Institute, Bangladesh

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Selasa, 08 Maret 2011

[Z209.Ebook] Get Free Ebook The Gay Science: With a Prelude in Rhymes and an Appendix of Songs, by Friedrich Nietzsche

Get Free Ebook The Gay Science: With a Prelude in Rhymes and an Appendix of Songs, by Friedrich Nietzsche

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The Gay Science: With a Prelude in Rhymes and an Appendix of Songs, by Friedrich Nietzsche

The Gay Science: With a Prelude in Rhymes and an Appendix of Songs, by Friedrich Nietzsche



The Gay Science: With a Prelude in Rhymes and an Appendix of Songs, by Friedrich Nietzsche

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The Gay Science: With a Prelude in Rhymes and an Appendix of Songs, by Friedrich Nietzsche

Nietzsche called The Gay Science "the most personal of all my books." It was here that he first proclaimed the death of God -- to which a large part of the book is devoted -- and his doctrine of the eternal recurrence.

Walter Kaufmann's commentary, with its many quotations from previously untranslated letters, brings to life Nietzsche as a human being and illuminates his philosophy. The book contains some of Nietzsche's most sustained discussions of art and morality, knowledge and truth, the intellectual conscience and the origin of logic.

Most of the book was written just before Thus Spoke Zarathustra, the last part five years later, after Beyond Good and Evil. We encounter Zarathustra in these pages as well as many of Nietzsche's most interesting philosophical ideas and the largest collection of his own poetry that he himself ever published.

Walter Kaufmann's English versions of Nietzsche represent one of the major translation enterprises of our time. He is the first philosopher to have translated Nietzsche's major works, and never before has a single translator given us so much of Nietzsche.

  • Sales Rank: #23873 in Books
  • Brand: Nietzsche, Friedrich Wilhelm/ Kaufmann, Walter Arnold
  • Published on: 1974-01-12
  • Released on: 1974-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x .90" w x 4.20" l, .53 pounds
  • Binding: Mass Market Paperback
  • 396 pages

Review
"[This book] mirrors all of Nietzsche's thought and could be related in hundreds of ways to his other books, his notes, and his letters. And yet it is complete in itself. For it is a work of art."

-- Walter Kaufmann in the Introduction

Language Notes
Text: English, German (translation)

From the Inside Flap
Nietzsche called The Gay Science "the most personal of all my books." It was here that he first proclaimed the death of God -- to which a large part of the book is devoted -- and his doctrine of the eternal recurrence.
Walter Kaufmann's commentary, with its many quotations from previously untranslated letters, brings to life Nietzsche as a human being and illuminates his philosophy. The book contains some of Nietzsche's most sustained discussions of art and morality, knowledge and truth, the intellectual conscience and the origin of logic.
Most of the book was written just before Thus Spoke Zarathustra, the last part five years later, after Beyond Good and Evil. We encounter Zarathustra in these pages as well as many of Nietzsche's most interesting philosophical ideas and the largest collection of his own poetry that he himself ever published.
Walter Kaufmann's English versions of Nietzsche represent one of the major translation enterprises of our time. He is the first philosopher to have translated Nietzsche's major works, and never before has a single translator given us so much of Nietzsche.

Most helpful customer reviews

45 of 46 people found the following review helpful.
Beware non-Kaufmann Kindle version
By William Adams
I love Amazon, but you have to be careful about the way very different versions of a book sometimes wind up on the same sales page with their reader reviews mixed together. At the time I am writing, the page for the Walter Kaufmann translation of the Gay Science lists a Kindle edition for 99 cents, but that edition is not the Kaufmann. It is a new version of Thomas Common's poor translation from a hundred years ago; without its slight re-editing, this public domain version is available free elsewhere. Although I do see one contrary opinion in the reviews, the vast majority of readers greatly prefer the Kaufmann translation, and until that is made available for Kindle, I would suggest one of the inexpensive used copies of the paperback, which you can also get on this page. _That_ is a five star book.

EDITED IN OCTOBER 2015: As of THIS date, you can get a Kindle version of the Kaufmann translation for 11.99. A bit pricey for a Kindle reissue, but still worth it (and it may come down sometimes). If you are not seeing that version on the page where you read this review, do another search in the Kindle department, just searching for "Kaufmann," nothing else, and you should find it; you may have to go through a few pages. Price and accessibility may change in the future, of course.

0 of 0 people found the following review helpful.
It more like a collection of Nietzsche's random thoughts and poems
By Amazon Customer
OK. This book is weird. It more like a collection of Nietzsche's random thoughts and poems. But if you slog through it, you will be rewarded at the end. Like Plato, in his Republic (which I LOVED), he finishes with a grand flourish. This is also the book where Nietzsche makes his famous statement, "God is dead".

0 of 0 people found the following review helpful.
Nice to read for pleasure.
By matthew am
I did like this book but i didn't really find that he was presenting arguments , it was more a compilation of personal thoughts. I found the reading pretty easy. I did enjoy reading it and i recommend it for "To read for pleasure".

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Minggu, 06 Maret 2011

[R796.Ebook] Get Free Ebook Building Construction: Principles, Materials, & Systems (2nd Edition), by Medan L Mehta Ph.D., Walter L Scarborough, Diane L Armpriest

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Building Construction: Principles, Materials, & Systems (2nd Edition), by Medan L Mehta Ph.D., Walter L Scarborough, Diane L Armpriest

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Building Construction: Principles, Materials, & Systems (2nd Edition), by Medan L Mehta Ph.D., Walter L Scarborough, Diane L Armpriest

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Building Construction: Principles, Materials, & Systems (2nd Edition), by Medan L Mehta Ph.D., Walter L Scarborough, Diane L Armpriest

The science of building construction and design is evolving more quickly than ever before. The second edition of this outstanding text builds on the previous version. It incorporates the latest updates available, features hundreds of new pieces of artwork, and is now in FULL COLOR! Written by an author team with decades of experience in architecture, building construction, engineering, and teaching, Building Construction: Principles, Materials & Systems 2nd Edition is a comprehensive and fully illustrated introduction to construction methods and materials.�

Continuing on with the books unique organization, Principles of Construction are covered in Part One and Materials and Systems of Construction are covered in Part Two. Emphasizing a�visual approach to learning, it includes more than 1,400 original illustrations and an extra large trim size (9” x 12”) that provides an open and inviting layout that readers are sure to appreciate.

Plus! A completely revamped and expanded companion website,�"MyConstructionKit", is also available!

  • Sales Rank: #46089 in Books
  • Brand: Brand: Prentice Hall
  • Published on: 2012-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x 1.50" w x 9.20" l, 5.25 pounds
  • Binding: Hardcover
  • 976 pages
Features
  • Used Book in Good Condition

About the Author
Madan Mehta, B.Arch., M.Bdg.Sc., Ph.D., P.E., is a faculty member at the School of Architecture, University of Texas at Arlington, and teaches courses in construction and structures. He was previously the Director of the Architectural Engineering Program at King Fahd University, Saudi Arabia. A licensed professional engineer (Texas), Fellow of the Institute of Architects (India), and Member of the American Society of Civil Engineers, he has worked in India, Australia, the United Kingdom, Saudi Arabia, and the United States. With academic credentials in both architecture and engineering, he ran a comprehensive architecture/engineering practice while working as a faculty member at the Delhi School of Architecture, and he worked for a large general contractor in the United States during a leave of absence. He is the author of several full-length books and monographs on building construction, architectural structures, and architectural engineering.

Walter R. Scarborough, CSI, SCIP, AIA, is Vice President and Regional Manager for Hall Building Information Group, LLC.� He is a specifications consultant and registered architect (Texas) with over 35 years of comprehensive technical architectural experience in specifications, document production, and construction contract administration.� He has produced documents and administered construction for a large number and variety of building types. Previously the Director of Specifications for 10 years for one of the largest architectural firms in the world, he was responsible for building sciences research, manager of a department of specifiers, and master specification development and maintenance, in addition to being the specifier for major healthcare, sports, detention, municipal, and commercial projects, some valued in the hundreds of millions of dollars.� He is active in the Construction Specifications Institute (CSI) at the local level (past president, secretary, and technical director) and national level (Education Committee and Practice Guide Task team), holds several CSI certifications, is Chairman of the Institute’s Education Committee, was awarded CSI’s prestigious J. Norman Hunter Memorial Award for advancing building sciences and specifications, and is the revision author for CSI’s Project Delivery Practice Guide and its associated education program.

Diane Armpriest, M.L.A., M. Arch., is Associate Professor and Chair, Faculty of Architecture and Interior Design, College of Art and Architecture, University of Idaho. Before joining the faculty in 2001, she worked as an architectural project manager, and as a project developer and construction manager for neighborhood nonprofit housing providers. Her teaching and research interests include the pedagogy of architectural building construction technology, the expression of structure and materials in Northwest regional architecture, and the relationship between building and site. Previously, she was Associate Professor of Landscape Architecture at the University of Cincinnati. Highlights of her work there include research in resource-efficient design and construction and working with students on design-build projects.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Great book on materials
By Ahmed Harrison
So far I love this book. I am currently taking a heavy construction methods class. This book is also being used for light construction(residential) class at my institution as well.

I am about half way through the course so I have not read the whole book. But so far, it's an easy read with lots of info. I love the side bars.They contain additional information about subject being discussed in that particular section. The questions at the end of each chapter are some what challenging. They are in sequential order so you don't have to look all over the chapter to find the answers. I have had books that quiz you on info that even isn't in the material being covered in that particular chapter. Some may think I am being silly but I believe one should be challenged to learn the material not be tested on how effectively you can comb through hundreds of pages. There is a ton of info in this text.

I also like the fact that it discusses sustainable construction in every chapter. In each section it explains how the material being discussed in the chapter pertains to sustainable practices. Being a LEED AP(US Green Building Council Leadership in Energy and Environmental Design Accredited Professional), I believe it is extremely important that today's construction professionals embrace and fully understand sustainability as it pertains to construction. So called "green building" is quickly becoming a standard practice in the US and throughout the developed world.

This is a great text book. I definitely plan on keeping it for reference material as I continue my career.I would recommend this book for anyone who is interested in learning the basics about construction materials and methods.

1 of 1 people found the following review helpful.
Excellent textbook...frustrating for Kindle
By JDub
As a student studying Construction Management, I found this to be a terrific textbook. The diagrams and picture explanations I found to be very helpful, and there is a plethora of helpful information.

My one complaint has nothing to do with the content of the book however. My biggest frustration with this textbook had to do with the kindle experience. First of all, this did work fine on my Kindle HD, albeit with a small screen, it was difficult to pan around a large textbook page. My options for viewing it on a computer were limited because it cannot be viewed on the kindle cloud reader for viewing on web browser and it is not available for viewing on kindle for windows 8. So if you have a new laptop or computer and want to view the content on a bigger screen than a kindle you are out of luck. That needs to change. Please allow me to read this on a windows 8 device.

1 of 1 people found the following review helpful.
Not far from the newest release(2014)
By Robert G. Brady
Does a pretty good job at keeping up with the new book that came out. I'm in a class that uses the newest version of this book and with a few new illustrations and color images, there isn't much difference.

See all 31 customer reviews...

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