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Painter, musician, journalist, essayist, playwright, and composer, Alberto Savinio was one of the most gifted and singular Italian writers of the twentieth century. Italian critics rank him alongside Pirandello, Calvino and Sciascia, but he is hardly known to American readers. He was the younger brother of Giorgio De Chirico, and Andre Breton said that the whole Modernist enterprise might be found in the work of these two brothers.
Savinio composed five operas and more than forty books. A friend of Apollinaire, figures on the scene during Savinio’s artistic and literary career included Picasso, Cocteau, Max Jacob and Fernand Leger. As the translator says, “his writing, like his panting, moves easily from the everyday to the fantastic. Attempts to define it as ‘surrealist’ are too limiting. It is free in spirit, profoundly intelligent, and beautifully controlled in style.”
The stories collected in Signor Dido are his last works, one story being sent to its publisher only four days before the author’s death. And while this final collection was completed in 1952, it was not published in Italian until 1978. “Composed with an extreme economy of means, they are the summing up of a rich and complex life.... The stories contain haunting premonitions and at times piercing solitude, but they are all graced with Savinio’s high comic sense, his fine self-humor, and that stylistic irony which, as he once said, is both a mask for modesty and ‘a subtle way of insinuating oneself into the secret of things.’”
- Sales Rank: #2243469 in Books
- Published on: 2014-01-14
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .90" w x 5.70" l, .70 pounds
- Binding: Hardcover
- 176 pages
Review
"Wry, epigrammatic, and with a mordant and playful wit he doesn't hesitate to turn on himself, these pieces exemplify Savinio's sense that the mundane and the fantastic aren't separate spheres but that each is shot through with the other…[He] deftly balances introspection and journalistic observation, and always behind them are a fierce intelligence and an awareness of vanity in all its guises…being in Savinio's company provides a series of small, persistent pleasures."—Kirkus
About the Author
Alberto Savinio (Andrea Francesco Alberto de Chirico) was born in Athens in 1891 and died in 1952.While still a teenager his musical compositions had drawn notice, he was a celebrated pianist, and his third opera, Perseus, had its premier at The Metropolitan Opera in New York in 1924. He wrote more than forty books including novels, criticism and memoirs. Childhood of Nivasio Dolcemare was translated into English by Richard Pevear and published in 1987.
Richard Pevear is one of the greatest translators of our time. Together with Larissa Volokhonsky, his wife, he has translated virtually the entire canon of major Russian writers, beginning with the award-winning Brothers Karamazov, all the rest of Dostoevsky's major fiction, and continuing with the work of Tolstoy, Gogol, Bulgakov, Tolstoy, Chekov, Turgenev and Pasternak.
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Sympathy for the Signor
By The Ginger Man
The short works included in this volume were first carried in an Italian newspaper between 1949 and 1952. They concern the politics of domesticity and the striving of Savinio's alter ego, Signor Dido, to surmount the quotidian.
The author portrays a family "united in love, and behind that veil, mute enemies on a silent battlefield." The role of the father in post war Italy is changing and he no longer receives the largest plate for dinner. In his home, Signor Dido "would like to speak of lofty and poetic things, above all to speak of himself and hear himself spoken of." Instead, he must be silent, his arguments not taken seriously and his manner consigned to "irreducible timidity." Dido seeks refuge but does not find it in memories, which bring shame and remorse, or in sleep, as he lies wide awake at 1 a.m. his arms spread wide in Christ-like repose.
In the world of Signor Dido, "the trivia of the daily life yield to the visionary; reality suddenly turns fantastic" according translator Richard Pevear. They include a dottore who plays silent music in a hidden house, an invalid engineer who waves frantically for assistance that never arrives, ghostly soldiers returning purloined works of art and families at silent war and peace.
Dido searches endlessly for sympathy from others and, failing that, for solitude. "Little by little, (he) manages to rid himself of all foreign elements. He finally comes back to being all himself. Happiness begins. His happiness. The purest happiness. The only happiness."
Savinio advises his readers to overcome the "prejudice of seriousness which spreads so much darkness over matters of culture and life in general." In this book, he treats of serious matters but retains self-humor and high comic sense, crafting short narratives characterized by stylistic irony. Using an "extreme economy of means," the author describe a rich and complex life, says Pevear in an introduction to Signor Dido. The result, though spare, is entertaining as well as revealing.
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